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In July 1973, Amitav Ghosh joined St. Stephen’s College in Delhi. Like every other freshman, he was nervous about the first few weeks, when one was ‘ragged’ – shorthand for being verbally harassed, harangued, interrogated, and intimidated – by seniors. Twenty-five years later, by now an established novelist, Amitav Ghosh wrote: the year I joined College, the word among us freshers was that the most terrifying ragger in College lived in Rudra Court, in L5. Terrifying because he wasn’t the usual kind of bullying, bellowing senior. No, he was to them as the panther is to the elephant. He was bearded, and soft-spoken, so stealthy that you never sensed his presence until he had you square in his sights. Young Amitav was able to escape the clutches of this fearful senior for a fortnight. But then he ‘was “nabbed while attempting to abscond” as the Indian Express used to say’. The ‘legend of L5’ caught hold of the fresher, and quizzed him about his interests. ‘I like classical music,‘ answered Ghosh, nervously. ‘You do?’ said the legend and walked him into his room in Rudra North. The legend put a record on the turntable and began to play it. He asked Ghosh to identify the composer and composition. Beethoven’s Emperor Concerto answered the fresher, correctly. Three or four more records were played and all except one accurately identified. At this, ‘The legend stuck out his hand. “I’m Rukun Advani,” he said. “Let’s go down to Maurice Nagar and have a cup of tea.”’

Why does the passage mention Beethoven's Emperor Concerto?

Solution

✅ Correct Option: 2,3

Option 1 -> The interaction ended in friendship and tea, not humiliation - the music created connection, not shame.

Option 2 -> Ghosh correctly identified Beethoven's Emperor Concerto and most other pieces, demonstrating his knowledge of Western classical music.

Option 3 -> Unlike "bullying, bellowing seniors," Advani engaged through shared cultural interests, showing ragging could be intellectual rather than intimidating.

Option 4 -> The music wasn't used for intimidation - Advani extended his hand in friendship after the quiz and invited Ghosh for tea.


Hence, Options 2 and 3 -> The Beethoven reference serves dual purposes: it proves Ghosh's genuine classical music background (he passed the test), and it illustrates how Advani's ragging was fundamentally different - based on shared intellectual and cultural interests rather than fear and dominance. The encounter transformed from potential harassment into the beginning of a friendship through mutual appreciation of classical music -> correct

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